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 Editing in layers is a principle concept for being able to work in Photoshop. In this post we'll take a look at very basic masking techniques to start down the road of layered editing in Photoshop, or any other bitmap editor for that matter.
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 When you are in a programme like Lightroom or Capture One, the use of presets becomes a quick and easy - as well as fast - way to make changes to images. Rather than changing every setting individually, a photographer can select a preset that they have created, or even bought, to reset several parameters to one or several images at a time. To say that saves time is an understatement. Taking all the time required to individually adjust images, the use of presets can literally save hours out of a week of editing.
 I am admittedly stubborn when it comes to post-production. Although I am a firm advocate of continuously learning new techniques, I do tend to be late on the uptake. As is the case with Adobe’s Merge to HDR pano feature in the latest version of Camera RAW (version 11.3). For a long time I have had a tedious, but effective, workflow creating HDR panoramic both for my own images, as well as for clients. The technique has involved layering images and selectively blending them into individual frames which are then stitched together to form a panoramic. The technique was long-winded, difficult to learn, easy to mess up, but extremely effective. Then Adobe gives everyone the ability to do it at the click of a button. It seems almost like cheating it’s so easy.
Here is the new process in a few easy steps: |
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