One of the headline features when Capture One Pro 12 (C1was announced earlier this year is the ability to create luminosity masks and apply adjustments in a layered fashion to an image. This is a fantastic addition that means there is one reason less (potentially) to dive into Photoshop. It isn’t quite as accurate as working with luminosity masks and layers in Photoshop itself, but it is close enough that for many photographers it can negate the need for the fully fledged bitmap editor (PS).

It is quite an eerie experience when the silence is so profoundly deep that it roars in your ears. The vastness of space seems to swallow everything and you are left feeling tiny; insignificant against the towering walls of red sand that enclose the vast arena where you stand. Still and silent, the skeletons of trees long dead raise their boughs to the sky in a kind of preparation; a graceful slow dance with its movements in epochs rather than moments. Time slows.